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Billy Dean is a songwriter and American country music singer who has recorded a total of eight studio albums. He is known for appearing on the television talent competition Star Search.


1990–1995Dean’s first single was “Lowdown Lonely”, which did not enter the charts.[5] It was followed by “Only Here for a Little While”, the second release from his debut album Young Man. This song and its follow-up, “Somewhere in My Broken Heart” (previously recorded by Randy Travis on his 1989 album No Holdin’ Back[4]) were both No. 3 hits on the Billboard country charts. The latter was also a minor hit on the Hot Adult Contemporary Tracks charts. Young Man was certified gold by the RIAA.Dean’s self-titled second album followed in 1991, and soon earned a gold certification as well. Four singles were released from it: “You Don’t Count the Cost”, “Only the Wind” and “Billy the Kid” each peaked at No. 4 on the country charts, while “If There Hadn’t Been You” was a No. 3 on Billboard, and a No. 1 on both the former Radio & Records (now Mediabase) country charts in the U.S.[2] and the RPM Country Tracks charts in Canada.

Dean toured with The Judds on their farewell tour in 1991, he also toured with Wynonna Judd and Clint Black.[2] He wrote and recorded the theme song to the ABC animated television series Wild West C.O.W.-Boys of Moo Mesa, and hosted a Top 21 countdown on VH1.[2] In 1992, he earned the Top New Male Vocalist award from the Academy of Country Music.[2]Fire in the Dark was the title of Dean’s third album. Issued in 1993, it was his third straight gold-certified album, earning that certification from both the RIAA and CRIA.His lead-off single “Tryin’ to Hide a Fire in the Dark” peaked at No. 6 in the United States and became his second No. 1 in Canada. Following it were “I Wanna Take Care of You”, “I’m Not Built That Way”, and a cover of Dave Mason’s 1977 pop hit “We Just Disagree”. Also in 1993, Dean had an opening slot on Alan Jackson’s tour.[2][4]Following his first three studio albums was a greatest hits album in 1994. This album reprised his first nine singles, as well as a new song, “Once in a While”, which Dean wrote and recorded for the soundtrack to the 1994 film 8 Seconds.[2] This song peaked at No. 53 based on unsolicited airplay.Men’ll Be Boys, his final release for SBK/Liberty, came later in 1994. This album was not as successful in sales or chart performance, producing the No. 24 “Cowboy Band” and No. 60 title track. After this album, Dean placed his career on hiatus to raise his children.

1996–presentDean returned to the recording studio in 1996 for his fifth album, It’s What I Do, on Capitol Records Nashville. This album returned him to the Top Ten with its title track and “That Girl’s Been Spyin’ on Me”, which reached numbers 5 and 4, respectively.[4] The final single, a cover of Don Williams’ 1988 single “I Wouldn’t Be a Man”, fell short of Top 40. He also worked with actress and singer Crystal Bernard on her 1996 debut album Girl Next Door, in addition to co-writing its debut single “Have We Forgotten What Love Is.”[2] Later that year, Dean released a non-charting single, “In the Name of Love”, which never appeared on an album. In 1998, Victoria Shaw and several other artists, including Dean, collaborated on the charity single “One Heart at a Time”.

Real Man, his sixth album, was issued in mid-1998. This album produced only one Top 40 hit in its title track, followed by “Innocent Bystander” which reached number 68. After this album, Dean exited Capitol’s roster. He also took up acting once more, appearing in the minor TV specials A Face to Kill For and Blue Valley Songbird.[4] In 2000, he and Alison Krauss made guest appearances on Kenny Rogers’ single “Buy Me a Rose”, which reached the top of the Billboard country charts in May of that year. This song was also a Top 40 hit on the Billboard Hot 100, and Rogers’ first number 1 single in thirteen years.A year later, Dean joined Suzy Bogguss and twelve-year-old singer Jillian Arciero (credited as Jillian) on “Please Keep Mom and Dad in Love,” which was issued on Rogers’s Dreamcatcher Records, and never included on an album.[4] Although he continued touring, he did not chart again until 2003 with “I’m in Love With You”, released on the independent View 2 label. His next release for View 2 was a cover of John Denver’s “Thank God I’m a Country Boy”. Curb Records took over promotion of this single shortly after its release,[6] and by mid-2004 it reached number 27 on the country charts. Following it was the single “Let Them Be Little”, co-written by Richie McDonald of Lonestar and recorded by the band on its 2004 album Let’s Be Us Again. Dean’s seventh studio album, also titled Let Them Be Little, was finally issued in late 2004 on Curb.[4] Although “Let Them Be Little” reached a peak of number 8 on the country charts in early 2005, the album’s other singles all failed to reach Top 40. A Christmas music album, The Christ (A Song for Joseph), followed in late 2005. Included on the album was a duet with his daughter.


In addition to recording and touring, Dean is branching into using music for corporate marketing. One of his ventures, Song Sessions, combines songwriting and corporate team building exercises.
Billy has taken over the lead role (formerly played by Kenny Rogers), playing Hank Longley, in “The Toy Shoppe” (a musical written by Kenny Rogers and Kelly Junkerman) at the Starlite Theater in Branson, Missouri, through the end of 2013.
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Robert Wells is a Swedish composer, pianist, and singer who debuted as a recording artist in the late ’80s and is best known for his long-running musical production Rhapsody in Rock. Born April 7, 1962, in Stockholm, Sweden, he studied at the Royal Swedish Music Academy, beginning his education there at the young age of 11. As a recording artist, he made his commercial debut in 1987 with the single “Upp På Berget” and the eponymous album Robert Wells, both of which were Top 20 hits on the Swedish charts. A couple years later, after the fairly unsuccessful second album The Way I Feel (1988), Wells released Rhapsody in Rock (1989), a musical production that mixed classical with rock & roll and boogie-woogie. The album was a modest hit at the time of its release, reaching the Top 30, and spawned a couple sequels: Rhapsody in Rock II (1990) and Rhapsody in Rock III (1993). Following a collaborative album with Charlie Norman, Norman and Wells (1996), Wells released Rhapsody in Rock: Complete (1998), a new version of his signature musical production. It was a smash hit this time, reaching number six on the albums chart, and spawned a bunch of follow-up albums: Rhapsody in Rock: World Wide Wells (2000), Rhapsody in Rock: Completely Live (2001), Rhapsody in Rock: The Complete Collection (2003), Rhapsody in Rock: Anniversary (2004), and The Best of Rhapsody 1998-2008 (2008), most of which were Top Ten hits. In 2009 Wells scored the biggest hit single of his career to date, the chart-topping smash “Handful of Keys.”